By Dr Manish Pandit

The internet is rife with images of Kali. While some of these fit the precise criteria of whether an image is Dakshina Kali or not, very few indeed fit the criteria of Smashana Kali. Still others somewhat mislabel the two while some images show a definite influence of Tara in the paintings of Kali.

So, to elaborate further, lets look at the Dakshina Kali which stands in the Dakshineshwar temple in Kolkata. We can clearly see that Ma Kali stands with

  1. The right foot forward touching the heart of the Shava causing transformation into Shiva. For those who are new to the concepts consider this as an awakening to the Divine that exists everywhere)
  2. The Sword is in the Left upper hand. (Think of a sharp cutting away of illusions and the cut head itself is your own which contains all the troubles and poison imbibed from the world)
  3. Rest of the iconography of Kali shows that the Hair is wild, dishevelled and loose, the tongue is lolling and the right hand is raised in benediction. (Conferring of boons)

Here is Dakshina Kali clearly defined in this film: Kali Divine Mother

 

 

Now, lets look at Smashana Kali: (This is drawn by Raja Ravi Verma)

  1. The LEFT foot forward touching the heart of the Shava causing transformation into Shiva. (but its the LEFT foot)
  2. The Sword is in the Right upper hand.
  3. Rest of the iconography of Kali shows that the Hair is wild, dishevelled and loose, the tongue is lolling.

Kali_by_Raja_Ravi_Varma.jpg

What could possibly be the meaning of this difference?

Its important to note that the transformation caused by Kali by Her foot touching the heart is anyway going to be very very sudden and sharp, quite disturbing indeed, as She is an Ugra Devata.

However, even within this Ugra or Fierce and Fast transformation into Shiva, the form of Dakshina Kali is gentler (as gentle as Kali can be) and the right foot touching the heart symbolises that.

With Smashana Kali, its the Left foot touching the heart and that transformation is very violent…

An interesting form of Kali:

There is a form which I saw around 10 years ago on the internet which is quite popular now and which many Tantrikas worship as Dakshina Kali, but the iconography doesn’t exactly fit as the left foot is causing the transformation, moreover the feet are arranged in a way almost like how the great Goddess Tara steps upon Shiva in Her popular descriptions. I think that this image is painted by somebody from Assam who has a very definite influence of Tara. The sword is otherwise in that left upper hand and other characteristics of the painting are those of Dakshina Kali. However, the dark colour of the skin and other characteristics give it away as Kali. I originally labelled this image as Tara Kali for want of a better name.

Tara Kali

Other descriptions of Kali:

The Saptashati Durga in addition describes Kali as emerging from the frowning brow of Durga and laps up the blood of the demon called Raktabija which gives us one idea about the form of Kali called Chamunda.

raktabija_by_Chamunda.jpg

 Other forms of Smashana Kali such as below can be differentiated by:

1. Earrings as corpses

2. Lolling tongue

3. Fangs

4. Black grey colour

5. Funeral pyre seat

6. Jackals sorrounding

Traditional Classification of Kali:

In addition there are 8/12/21 traditional forms of Kali and these are:

Adya kali (the first), Chintamani (Kali Beeja alone) Kali, Sparshamani (Krodha Beeja) Kali, Santati (protecting and giver of children and traya Beeja) Kali, Siddhi (giver of perfections with traya beeja aaadi) Kali, Dakshina (already described) Kali, Bhadra Kali, Smashana Kali, Kamakala  Kali, Guhya Kali, Hamsa Kali and Kalasankarshini Kali.

In addition Raksha Kali who protects from disease and epidemics and other forms are mentioned…. Atharvana Bhadra Kali is a specific form and more related to the Pratyangira school which is within the Poorva amnaya and Kamagiri Pitha of Sri Vidya group of Deities which is outside the scope of this particular blog post.

 

Characterisation by Mantra varna:

Hadi, Kadi, Krodha adi, Vaagadi, Nadi and Dadi krama mantra classifications are typically mentioned in the texts of Tantra and each has their own peculiar Dhyana.

Remember that the Dhyana image must fit the exact Dhyana which you are uttering in Sanskrit and must fit the mantra you are uttering to give the results you want.

To read my slowly updated Jyotish blog, do read

www.artjyotish.wordpress.com

To read my blog on Astronomy and Mathematics in ancient India, do read,

astronomyofIndia.wordpress.com

To read beautiful link to MumbaiGirl’s blog on filmmaking:

http://mumbaigirlindublin.blogspot.com

To read my blog on Indian National Security go to: nationalsecurityonline.wordpress.com

For a greater perspective on remedies for Saturn affliction do read:

https://miraclesofhanumanchalisa.blogspot.com

A link to the well known blog on False Flag/ Selective Intolerance:

https://falseflagintolerance.blogspot.com

Jai Mahakaal

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